Thursday, April 22, 2021

Episode 95: Robot Review

 Topic: Robots Review

 

So Mom and me are back talking about robots, and all the strange tangents we can come up with.  Admittingly, this is more of rant podcast as we take LOTs of tangents in this episode, so while not entirely robot driven, it certainly was a fun diversion in to some other topics.

 


 

Big Hero 6 (2014)


Scott Adsit - Baymax

Ryan Potter - Hiro

Daniel Henney - Tadashi

T.J. Miller - Fred

Jamie Chung - Go Go

Damon Wayans Jr. - Wasabi

Genesis Rodriguez - Honey Lemon

James Cromwell - Robert Callaghan

 




Bicentennial Man (1999)

Robin Williams - Andrew

Embeth Davidtz - Little Miss / Portia

Sam Neill - Sir

Oliver Platt - Rupert Burns

Kiersten Warren - Galatea

Wendy Crewson - Ma'am

 

 




Isaac Asimov's "Three Laws of Robotics"

  1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.
  2. A robot must obey orders given it by human beings except where such orders would conflict with the First Law.
  3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

 

Sunday, April 11, 2021

Episode 94: Robot Tutorial

 Topic: Robot Tutorial

 

We Love them, Crave them, and occasionally, Fear them.  The week, we dive in to the topic of Robots, both what they mean to us in Fiction, but also in real life, and perhaps where does the fact and fiction blend together or doesn’t?  Robots are really cool though.

 


 

How Define a Robot

A robot is a machine—especially one programmable by a computer— capable of carrying out a complex series of actions automatically.  Typically, Robots can appear human in nature, but come in many shapes and forms.  We almost always see them as tools, rarely as individuals and almost never as people.   In our real world, they’re basically machines that do specialized mechanical tasks, as opposed to calculations or executables like a computer; but we expect these machines to be piloted by a computer, or atleast act based off one, but can also be piloted/controlled by humans directly.

 

 

Robots in Real Life

In our modern world, we adore and want Robots.  The ideal for modern society is to have Robots do all the hard and difficult physical tasks for us, while we do either less, or nothing at all.  It’s a dream world, as I’m certain we’ll still very much be a part of interacting and being a part of the world, but it will take some time to get even close to it.

 


As it is now, our common modern days Robots can be found in a number of places:

Our Home – Rombas and other vacuum robots

Hospitals – there are some robotic surgery machines

Food Service – There are some robots that actually make your good, while others clean dishes

Farming – There are some robots and automation in the Farming Sector

Warehouse and Factories – For years, we’ve been simplify tasks for robots to do for us that would otherwise be too dangerous, to difficult, or too slow for a human to do.  But in a number of our warehouses, it’s robots that managing the inventory, stacking and putting it away as necessary.

Military – Various Drones and bomb disposal robots exist to aid the military and keep humans out of harm’s way.

 

 

Uncanny Valley

The Idea of the Uncanny Valley is this notion that as things, particularly robots, are particularly less human, we tend to like them a lot more, but as time goes on, and the Robots become more human in quality and nature, we tend to like them a lot less, to the point of down right hating them.  But as time continues, and robots get more sophisticated and advanced, our like for them begins to rise once again.  The low point, when humans actually start dislike and are disgusted by the robot is like a valley, and thus where the term comes from. 

 

The notion as to why we like them when they aren’t that human, is that their human like qualities stand out much easier, and we tend to imprint ourselves on to the robots, allowing us to empathize with them.  It’s why R2D2 is one of the most popular Robots in fiction, despite having very little human characteristics in form and shape.  This is why Robots tend to look simple in nature in cartoons, and early robots aren’t too human on any particular level.

 


Conversely, when we try to make human like robots, we tend to dislike them, and are even hateful of them.  The reason for this is that when we get to more human looking robots, as humans, we’re able to see the difference and able to notice when something isn’t quite right.  It could be the way they move, the texture of their skin, their little gestures, and potentially even their eyes.  It looks off and we can’t put our finger on it.  When it’s less human looking, we’re willing to give it the benefit of the doubt, even see its positives more than its negatives.  Its why I think some models and actors look too good, and it’s off setting to me, like they look too good.

 

Eventually, as the robots get more life-like and sophisticated, the elements that once made us hate the robots begins to disappear, as the boundary begin to disappear and the human qualities are like our own. 

 

This Uncanny Valley is also seen in a lot of early Computer Generated Graphics and Video Games, as the graphics attempted to catch up with technology, they got to a period where they didn’t look quite right, and even when they look good, they still don’t feel right, and don’t quite look like they belong.  Compositing, along with the artists making said graphics, have gotten a lot better over time, so that in some cases, it’s hard to tell what’s read and what’s not.

 

 

Robots in Fiction

Robots in fiction come in lot of different stories, but typically always come in one of a few flavors.  They’re almost always in Science Fiction, though they can appear in other fantasy settings, though usually portrayed as a Golem or some sort of fictional machine.  Typically, Robots get broken down in story to a hand full of different stories, usually based on how human to how robotic they are:

 

·       Robots, but fundamentally human – These are robots that can have an advanced AI that lets them think and feel, even learn and come to love/empathize.  They have almost all the characteristics of a human, save that they are a robot at the end of the day. 

·       Top Tier AIs – These are robots that have super sophisticated AI, but aren’t exactly human, or still have cold/logical thinking.  They’re often portrayed as not being human, and thus are subservient to humans, rarely showing true emotion, or emotions they shouldn’t have been able to develop. 

·       A mix of Human and Machine – they are robots that can display some human qualities, but are typically only mimicking the natures of Humans for the sake of humans.  They still think cold and logically, but can process the world around them to some extent.  They tend to lack more human qualities, save for what the writer wants to imbue the character with. 

·       Total Robot – Pure robots at the end of the day, without an ounce of humanity built in to them.  These robots tend to be villains, like Hal9000 from a Space Odyssey .  While not always evil, they are typically the antagonist. 

 

Famous Robots:


·       R2D2 (Star Wars)

·       Bender (Futurama)

·       Bishop (Aliens)

·       Johnny 5 (Short Circuit)

·       The Terminator (Terminator)

·       HAL 9000 (2001 A Space Odyssey)

·       Optimus Prime (Transformers)

·       B-9 (Lost in Space)

·       Robby the Robot (Forbidden Planet)

·       Rosie (The Jetsons)

·       Gort (The Day the Earth Stood Still)

·       WALL-E (WALL-E)

·       Sonny (I, Robot)

·       Vision (Marvel Comics)

·       Baymax (Big Hero 6)

·       Data (Star Trek: The Next Generation)

 

Pitfalls and Triumphs of Robots

·       Robot AI vs Sentience – At what point are Robots truly sentient beings, and at what point are they robots?  It’s a question that gets asked a lot of Robots.  Most popularly in Ghost in the Shell, an anime franchise that asks if you’re a fully cyber person, are you actually a human, or were you ever actually a human to begin with? 

·       Robot Racism – Typically, there is a disgust for Robots, not being seen as humans and merely as tools, but because of their human qualities and potential characteristics, they can be conflated for actual humans, and thus you get to an issue of ‘Coding’.  Coding is the notion that you’ll graft on qualities of humans or society on to something else, whether intentional or not.  Thus you can look at something and see that it’s coding for something else, because it helps either ground your world or paints a picture for you quickly.  In the case of robots, Robots aren’t human, as where humans are, so when people are racists against robots, it’s because they’re lacking certain human characteristics, which tells us that the writer or directors believe that these are qualities that make up what humans are.  Thus when you look for allegories in modern society, you can code that behavior, or lack of it, on to another person/race/people.

 

 

 

Homework:

Big Hero 6

Bicentennial Man

CIRO Almubot Battlefield I, Remote Controlled Robot


 

Thursday, April 1, 2021

Episode 93: WandaVision Review



Topic: WandaVision Review

 

So, there’s this show about a magical woman and he robot husband… and it take place in 1950s… no wait 1960s…. or was it the 90s?  This was a very strange series to watch, but one that was very much a desired fleshing out for the Scarlet Witch, and also for Vision.  And we both has a blast watching it.

  


 

Spoilers – This show will spoil elements and Episodes of Wanda Vision, so you have been warned.

 


 


Wanda Maximoff – Elizabeth Olsen

An avenger who was previously altered by the Mind Stone, increasing her latent magical powers.  Officially now known as the Scarlet Witch, a moniker for the type of witch that can use chaos magic.  Wanda is initially not entirely aware that she created this reality, but has slowly figured out that she has.  She depart at the end of the series, but it rumored to return during Dr. Strange’s next movie, possibly as a villain.  It is revealed that the reason her altered reality mimics sitcoms is because she loved them as a child, watching them with her family.  The character’s growth however has been mostly resolved around her repeated losses of a family, either her parents, Pietro, Vision, and now her altered reality family.

 


Vision – Paul Bettany

An android and former Avenger.  He is fact not the actual Vision, but a creation of Wanda’s magic within her reality.  A later nod to the white Vision, or ‘The Vision’, later appears and they duke it out, but in the aftermath, the second vision disappears and is unknown where he is.  Paul Bettany sited his performance was based off Dick Van Dyke and Hugh Laurie.

 


Billy and Tommy Maximoff – Julian hilliard & Jett Klyne

Manifestations of Wanda’s imagination and powers within the ‘Hex’.  They twins are similar representations as first seen in the comic when they were made up of both Wanda’s magic and the Marvel Satan/Devil: Mephisto.  Similar to their comic origins, both boys have the powers of Scarlet Witch and Quicksilver, mimicking their comic book origins.  In the comics, both boys come back at Wiccan and Speed, whose souls are the same Billy and Tommy, and though not brothers, share a familiar bond.  Both children’s soul may continue to exist in some form, something which may motivate Wanda in the future.

 


Monica Rambeau – Teyonah Parris

Character was last seen in Captain Marvel, as the daughter of Captain Marvel’s best friend.  As a cause of going through the ‘Hex’ barrier, she has absorbed some level of powers, which gives her super powers.  Which ones are unknown, though in the comics, she has the ability to change in to energy of any kind, which grants her some abilities, but which is unknown and haven’t been properly explored.  The character will return in Captain Marvel 2.

 


Jimmy Woo - Randall Park

An FBI agent who happens to be the first to report to the ‘Hex’.  He was last seen in Ant Man and the Wasp (Ant Man 2), previously as Scott Lang’s parole officer.  One joke returning his time during Ant Man is the card trick he first displays for Monica Rambeau when they first meet.

 


Darcy Lewis – Kat Dennings

An astrophysicist previously seen in both Thor and Thor 2, originally an intern following around Jane Foster for student credits.  She has since upgraded to a full on Astrophysicist in the many years and is now a full time scientist with her own qualifications.  She is the first to discover the TV show hidden in the background radiation. 

 


Ralph Bohner/Pietro Maximoff – Evan Peters

Initially appearing as the twin brother to Wanda, Evan Peters was the X-men version of Quicksilver, who was cast and portrayed as Peter Maximoff/Quicksilver in X-men: Days of Future Past.  It’s interesting for him to be cast as this version’s Pietro, as a wink-and-nod to how sitcoms would recast character without any storyline reason for them changing all the sudden.  It is eventually revealed that he was given his powers by Agatha Harkness and mind controlled in believing he was Wanda’s brother.

 


Agnes/Agatha Harkness – Kathryn Hahn

Originally portraying captured resident Agnes, the nosy neighbor, she is eventually revealed ot be Agatha Harkness, another witch with similar powers to Wanda, but with the ability to absorb magical powers from other witches.  Though different from the comics, as Agatha Harkness is a much older witch in the series, she retains some of the mentor like qualities from her original comic version.  She is the one who informs Wanda of who she is and what kind of powers she really has, as well as giving her early lessons on magic of Witches.

 

 

Illusions to TV Sitcoms

Episode 1 – Dick Van Dyke Show and other ‘American Dream’ style Sitcoms of the 1950s

Episode 2 – Bewitched and other fantasy-sitcoms of the 1960s

Episode 4 – The Brady Bunch and other American Family Sitcoms of the 1970s

Episode 5 – Family Ties & Growing Pains, and other American Family sitcoms of the 1980s.

Episode 6 – Malcom in the Middle and other sitcoms of the later 90s and early 2000s.

Episode 7 – Modern Family & the Office, and other sitcoms of the 2000s and 2010s.

 

 


S.W.O.R.D. (Sentient Weapon Observation and Response Division)

A new organization that has replaced S.H.I.E.L.D. as an American peace keeping force meant to deal with superheroes and such.  While S.H.I.E.L.D. does continue to exist, it is considered under the radar and not officially funded by the United States.  S.W.O.R.D. was originally build with the intent of combating and researching extraterrestrial operations and activity, mainly anything happening outside of the Earth Sphere.  In the comics, the organization is an Arm of S.H.I.E.L.D, with its purpose being very similar.

 

 


Infinity Stones continuing role

While they may have been destroyed, the Infinity Stones continue to play a role the story, speaking to the various strangeness of character.  It’s theorized that the individual stones don’t actually give the powers their most known for to people in which it imbues powers to.  IE:

·       Wanda’s powers mimic/mirror the Reality Stone more so than Mind Stone, even in the visual language as her powers are red, not yellow.

·       QuickSilver’s power mimic the Space Stone more than the Mind Stone, even in the visual language as being Blue in color.

·       Weapons created by Hydra using the Space Stone mimic the Power Stone at the end of the day.

·       Same for Captain Marvel, whose powers seem to mimic the Power Stone more so than the Space Stone.

Theory holds that more powered Super Heroes, rather than through technology or science, will be powered due to radiation given off by those who were previously enhanced by the Infinity Stones.  This includes potentially the Fantastic Four.

 

 

Trivia

·       Each Episode reportedly cost around $25 Million dollars, making it the most expensive tv series per episode.

·       Wanda’s voice saying “Previously on WandaVision” get progressively less cheerful as episodes progress.

·       Each of the first 7 episodes are roughly 20-30 minutes long, mirroring classic sitcom episode lengths, with the 8th and 9th episodes being around 40 minutes long.



Agatha Theme Song

Friday, March 19, 2021

Episode 92: WandaVision Tutorial

 

Topic: Wandavision Tutorial

 

With the much anticipated return of the Marvel Cinematic Universe, the next major collection of material for the universe is scheduled to be TV shows, primarily featuring the other Avengers, and not the main set.  And having missed out on Black Widow, which has been very patiently waiting since the summer of 2020, the first new installment in the Phase 4 is a TV series about Wanda and Vision.  So lets get mom up to speed.

 



Where did we leave off?

Last major production was Spiderman Far From Home, set a few weeks in theory after the end of Avengers: Endgame. At the end of Endgame, everyone originally blinked out of existence by Thanos, known as the ‘Blip’ or the ‘Snap’, returns and the world is going through the process of healing and getting back to normal as nearly half the population returns from a five year absence. 

 

In the case of Wanda, she had only recently returned from being blinked out of existence, fighting with Thanos and memorializing Tony Stark after his death.  Her exact whereabouts after the events of End Game are a mystery.

 


In the case of Vision, Vision is considered dead at the end of Avengers: Infinity Wars, having first been up in the devastation left behind when Wanda Destroyed the Mind Stone, only for Thanos to reverse time, bring vision back, and kill him a second time in front of Wanda when he ripping the Mind Stone out of his head.  Its presumed that his pieces were picked up in Wakanda and transported to the Avenger’s facilities for safe keeping.

 

 

Mutants in MCU

To really walk about Wanda is also to talk about Mutants and the X-men in the MCU.  During the late 90s, Marvel was actually in a fairly bad position, having filed for Bankruptcy protection in 1997.  It was during this time, that marvel began selling the rights for their character to other movie studios, in an effort to infuse cash in to their holdings.  This led to movies such as Blade (1998), X-men (2000), Spiderman (2002), and The Hulk (2003).  As a part of the deal, X-men franchise’s TV and Film rights were sold to FOX, but not just the X-men, but the concept of Mutants as well.  This meant that any character that was a Mutant was considered fair game for FOX to make movies out of.

 


Enter 2006, and Marvel Studios begins preproduction on Ironman (2008), their first solo Superhero flim, and the kick off what we know today as the MCU.  During the this time, X-men movies were still coming out, but the juggernaut of what Ironman started in 2008 couldn’t be fully realized.  Numerous film rights began returning to Marvel, however, mutants were not among them.  By 2015, Avengers Age of Ultron (2015), there was an agreement that both Quicksilver and Scarlet Witch were shared characters with Fox and could be in the MCU, denoting that they weren’t mutants, but were instead, individuals whose powers were given by the Mind Stone.

 

By 2009, Disney had purchased Marvel outright, the Film/Television side was put under different management from the Comic Book/Print side. For the next few years, the Comic Book side began to deemphasize the X-men and Mutants, focusing more on characters they owned out right.  There was a push for ‘Inhumans’, a variation on mutants, for a while, along with most major stories only including a few major Mutant characters that were main stream.  This culminated it a number of major storylines, including House of M, and even with the death of several major X-men, including Wolverine, Cyclops, and Professor X. 

 


By 2015, the leadership of the Comic Book/Print side of the business was ousted and all major developments from all of Marvel were in the hands of Kevin Feige, who has been leading the Film/Television side of the business.  And now as of 2019, with Disney now owning FOX media, the rights to the X-men and Mutants are owned once again by Marvel.  Fan expectation is that either Marvel will make their own outright X-men movies, or potentially add them in to the MCU in some way. 

 

 

Wanda Maximoff (The Scarlet Witch)


Born of Max Eisenhardt, better known as Magneto, alongside her twin brother Petro(Peter) Maximoff, the two are mutants who have been seen throughout the Marvel Universe.  She and her brother were raised as Ophans and Gypsies, famously by a Cow-woman named Bolva.  A young age, her magical powers began to blossom, and she was trained by one of the most powerful magic users in the world, Agatha Harkness. 

 

Wanda and her brother joined their Father, Magneto, for a period of time with the brotherhood of mutants, before eventually joining the Avengers, and being long standing members of it.  At some point, she met and fell in love with Vision, with the two being married for a period of time.  Though initially unable to have children, through the use of Magic, Wanda gave birth to two sons, Tommy and Billy, but due to shenanigans from the Marvel Devil, Mephisto, the two taken away and their existence nullified. 

 

Wanda’s big story primarily revolves around ‘House of M’.  At one point, Wanda’s powers became too powerful for her to control, which caused her to lash out uncontrollably in a fit of rage over the mention of her former children.  This uncontrolled power eventually warped Vision, who later attacked the Avengers, before being killed by She-Hulk.  In the aftermath, Wanda was taken by her Father Magneto to Professor X to get help.  The concern however was whether to Kill Wanda or not, as her powers were out of control, which eventually led to the reality bending ‘House of M’, where mutants replaced humans as the dominate species on earth.

 


‘House of M’ saw many mutants and humans leading happy and ideal lives for themselves, with Magneto ruling over the world, but some individuals still remembered.  Eventually, it was discovered that Quicksilver had convinced Wanda to warp reality, and upon Magneto and other heroes regaining their memory, they confronted Quicksilver over what happened, culminated in Quicksilver’s death.  Wanda would bring him back to life, but shocked that her Father and Professor X would be willing to kill her, she changed reality back, but said three words, “No More Mutants.”

 

As a result of ‘House of M’, reality was changed back to normal, but 90% of the mutants were depowered and the mutant gene was now dormant and was not suppose to exist in any new children being born.  This made mutants more an endangered species on the planet, and moved hundreds of mutant heroes from activity.  Eventually, the mutant x gene began reappearing in children, and with some mutants getting their powers back.

 

In later rewrites to the character, Wanda is revealed to just be an Orphan, not a mutant and not the daughter of Magneto, but having lived near a mountain that radiates energy and improved her already dormant magical abilities.  This is the version of Wanda we know from the MCU.

 

Powers

Wanda’s powers were originally thought to be telekinesis as a mutant, but have since been reconned as being magic.  Her original stem from her ability to warp reality, originally it was at the disfavor of those she attacked, causing them to have bad results for actions they took.  Later this was evolved in to full reality manipulation, allowing her to warp the very nature and reality around her, not unlike the Reality Stone.  She is capable of various other magical schools associates with Magical Crafts performed by Dr Strange and the like.  Her main claim to fame relates her ‘Chaos Magic’, which allows her to shape reality as a whole.

 

In the MCU, her powers stem from the Mind Stone, imbuing her with telekinesis and telepathy abilities.  For all extensive purposes, they have not been fully explored in the MCU.


 

 

Vision


A ‘Synthezoid’, a special type of Android that contains all living tissues and body parts of a human, plus the ‘Horton Cells’, which provides strength, durability, and resistance.  He was built by Ultron, using parts from another state of the art android call the ‘Human Torch’(Not the same character), and with a special gem called the ‘Solar Gem’, which operates much like a human, but hundreds of times faster.  This gem is similar placed as the Mind Stone for the MCU version of Vision.

 

Originally, Vision was created by Ultron with the intent of being a double agent.  But realizing that he didn’t want to fight human, he changed sides and has been a leading member of the Avengers since.  Vision would take part in multiple stories, even having a relationship with Wanda for a while.  At one point, Vision was kidnapped and dismantled by a bad guy.  He was eventually rebuilt by Tony Stark, but minus the synthetic red skin he previously had, revealing a white, neutral exterior, and also minus his emotions. This second Vision continued his relationship with Wanda, but after due the events prior to ‘House of M’ he was ripped apart by the She-Hulk after Vision spawned a bunch of mini-Ultrons from him.  A third Vision was built some time later, using the parts from the last, and it was this version that eventually built his own family of Visions, attempting to learn more about the human condition and emotions, he started his own family as a result.


 

Powers:

As a Synthezoid made from the android Human Torch and using the Solar Gem, Vision’s body allows him to project solar rays as beams of energy at his targets.  As well, due to the ‘Horton Cells’ in his body, he can modulate his density, allowing him to pass through walls and people, but also to strength himself and make him super strong and super durable. 

 

 

What to Expect?

Speculation about the series presumes that the series will likely have something to do with reality manipulation.  The series may also launch new super heroes and provide knowledge on what happened to vision. 

There is a concern that the events will be a mixture of House of M and Visions, the former as far an ideal life for Wanda and the later in the sense that Vision started a family in the suburbs. 












Homework:

WandaVision (Available only on Disney+ Streaming Service) Episodes 1-9



Friday, March 12, 2021

Episode 91: Godzilla Movies Review

 

Topic: Godzilla Movies Review

This week, we watched a giant Lizard smash a building… lots of buildings in fact.  And lots of Lizards too.  I think a few had wings even… so many monsters, so little time.  But a fun time at that, lots of it!  And both mom and me would agree that they’re a lot of fun.  So we’re back with two American Godzilla, and the most recent live action Godzilla from Japan.

 


Godzilla (2014)

·       Directed by: Gareth Edwards

·       Starring:

o   Aaron Taylor-Johnson as U.S. Navy EOD LT Ford Brody

o   Ken Watanabe as Dr. Ishirō Serizawa

o   Elizabeth Olsen as Elle Brody

o   Juliette Binoche as Sandra Brody

o   Sally Hawkins as Dr. Vivienne Graham

o   David Strathairn as Admiral William Stenz

o   Bryan Cranston as Joe Brody

·       Monsters:

o   Godzilla

o   Muto (Male)

o   Muto (Female)

·       This movie felt like a proper disaster movie, but at times, it doesn’t feel like a movie, more like we were following a narrative and series of unfortunate events.  Almost like a found footage piece.

·       Depictions of Japan, of the fictional city Janjira, were very comical.  Rather than looking like a suburb of Japan, it looks like an American suburb with Japanese aesthetics. They even driver cars on the left side of the car, which is typical of America. 

·       While Aaron Taylor-Johnson may be a decent actor, he felt very disposable in the film.


·       At the time of Casting, Elizabeth Olsen hadn’t been cast as the Scarlet Witch in the MCU yet, but her role felt fairly disposable as well.  Looking at the role now, she’s only memorable because this was what she was in prior to the Marvel movies.

·       Ken Watanabe always adds gravitas to a film he’s in, especially in this case of Godzilla.

·       Godzilla is talked about and seen sporadically in the film, but major brunt of destruction is from the Muto monsters.  Godzilla has a proper fight at the end of the movie.

·       While critics praised the tone and direction, many criticized the under developed characters, lack of thematic depth, turning Godzilla into a secondary character, and insufficient screen time for the title character.

·       Japanese critics liked the film, but felt the same way.  Toho  liked the film so much, they decided to reboot the series with Shin Godzilla.

 

 


Godzilla: King of Monsters (2019)

·       Directed by: Michael Dougherty

·       Starring:

o   Kyle Chandler as Dr. Mark Russell

o   Vera Farmiga as Dr. Emma Russell

o   Millie Bobby Brown as Madison Russell

o   Bradley Whitford as Dr. Rick Stanton

o   Sally Hawkins as Dr. Vivienne Graham

o   Charles Dance as Alan Jonah

o   Thomas Middleditch as Sam Coleman

o   Aisha Hinds as Colonel Diane Foster

o   O'Shea Jackson Jr. as Jackson Barnes

o   David Strathairn as Admiral William Stenz

o   Ken Watanabe as Dr. Ishirō Serizawa

o   Zhang Ziyi as Dr. Ilene Chen

·       Monsters:

o   Godzilla

o   Mothra

o   Rodan

o   King Ghidorah

o   And many more, including King Kong

·      


Unlike the 2014 Film, this one felt more like a Movie than the last.  Perhaps it’s the bigger sets and more sightings of Godzilla.

·       It was nice to see some of the cast from the 2014 Godzilla return.

·       It’s a shame Ken Watanabe’s character was killed as the film leave the possibility of a third Godzilla movie in the near future.

·       Nice to see Bradley Whitford in work. 

·       American Critics were not impressed by the film, remarking that the script was ‘laughable’, the monster battles were either too numerous or boring, and that the film was paper thin with no real drama.

 

 


Shin Godzilla

·       Directed by: Hideaki Anno and Shinji Higuchi

·       Starring:

o   Hiroki Hasegawa as Rando Yaguchi, Deputy Chief Cabinet Secretary.

o   Yutaka Takenouchi as Hideki Akasaka, Aide to Prime Minister.

o   Satomi Ishihara as Kayoco Anne Patterson, Special Envoy for the President of the United States.

·       Film used the 2011 Tohoku Earthquake/Tsunami & Fukushima Daiichi nuclear Disaster as inspiration.

·       Film is considered political, mostly in the sense that it’s a scathing depiction of Japanese bureaucracy and its politicians.  Often seen as trying to manage the in pending fall out, rather than trying to manage the actual situation, and tied up in various meetings.

·      


Did very well in Japan, winning 7 Japanese Academy Prize, including Picture of the Year and Director of the Year.

·       Laughed at multiple points from hearing the ‘Decisive Battle’ illusions being made during the planning phases.  The song is from Evangelion (1995) anime, directed and created by Hideki Anno, is used at multiple points throughout the film.

·       Can see lots of allusions to Evangelion, though as a Evangelion fan, I might be more hyper aware than most.

 

Opening Credit to Blue Öyster Cult - Godzilla